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Miami University makes a claim of copyright only to original contributions
made by the Poetess Tradition participants and other members of the university
community. Miami University makes no claim of copyright to the original
text. Permission is granted to download, transmit or otherwise reproduce,
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
These html pages have been generated from xml pages. You can see the original xml by clicking on the "tei" icon:
The xsl transformers are available on this site as well:
FMN.xml -----------> FMNcorpus.xsl ------------> FMNcorpus.xml ------------> tei-xsl-4.3.5/P4/html/teihtml.xsl ------------> web pages
To use the teihtml.xsl, you will need to download the whole tei-xsl folder. Laura Mandell wrote the transform to make a TEI document into a corpus file (susceptible of being made into individualized Web pages). The transform from a corpus file to individual Web pages came originally from Sebastian Rahtz of Oxford Univ., but it has been much modified (by Laura Mandell).
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
9 Ximenes. The Genie of Wealth; [Prose/41 pages]
50 Mackenzie, R. Shelton. Hope and Death; [Poetry/1 pages]
51 Sigourney, Mrs. L. H.. The Stars; [Poetry/4 pages]
55 Jerrold, Douglas. The Siege; [Prose/22 pages]
77 Sigourney, Mrs. L. H.. The Family Altar. A Cottage Scene; [Poetry/2 pages]
79 Mackenzie, R. Shelton. The Sybil; [Poetry/3 pages]
82 Gould, Hannah Flagg. Serenade; [Poetry/2 pages]
84 Campbell, Captain R. Calder. Song of the Burman Lover; [Poetry/1 pages]
85 Lawrance, Miss H.. The Belle Sauvage Plot; [Prose/36 pages]
121 Fleetwood, Sir Peter Hesketh. The Princess of the West; [Prose/21 pages]
144 Hervey, Thomas Kibble. The Star of the East; [Prose/5 pages]
149 M. (A.). The Widow's Curse; [Prose/8 pages]
157 Howitt, Mary. The Mother's Offering; [Poetry/4 pages]
161 Abdy, Maria. Death in a Foreign Land; [Poetry/1 pages]
163 Walker, Mrs. Eliza. The Priest and the Penitent; [Prose/8 pages]
173 Browne, Washington. Address to the Ocean; [Poetry/2 pages]
175 Bowdich (Lee), Mrs.. Hammer and Nails; [Prose/18 pages]
193 Anonymous. The Old Abbey Bell; [Poetry/2 pages]
195 Campbell, Captain R. Calder. The Highland Gillie; [Poetry/2 pages]
197 Howitt, Richard. A May Queen; [Poetry/2 pages]
199 Browne (Gray), Mary Ann. To my Sister; [Poetry/2 pages]
201 Johns, Richard. The Cornish Wrecker; [Prose/19 pages]
220 Gould, Hannah Flagg. The Little Blind Boy; [Poetry/1 pages]
221 Cadell, Mrs. Cecilia Mary. Lady Olivia and the Traveller; [Prose/10 pages]
231 Landon, Letitia Elizabeth (L. E. L.). Alice Lee; [Poetry/4 pages]
235 Campbell, Captain R. Calder. The Howdie Witch of Cawdor; [Prose/18 pages]
253 Kinglake, Miss Christina. Remember Me; [Poetry/2 pages]
255 Mackenzie, R. Shelton. Bleeding Heart Yard; [Prose/18 pages]
273 Michell, Major Nicholas. The Coliseum at Rome; [Poetry/2 pages]
275 Swain, Charles. The Parting Wreath; [Poetry/5 pages]
280 Davids, C. J.. Song, "Young Love"; [Poetry/1 pages]
281 Aytoun, William E.. The Curse of Montrose; [Prose/18 pages]
299 Anonymous. The Margate Romance; [Prose/30 pages]
329 Browne, Washington. England; [Poetry/1 pages]
330 Dalton, J. Forbes. Indian's Reasons Worshipping Sun; [Poetry/2 pages]
332 Browne (Gray), Mary Ann. The Poet and the Magician; [Poetry/3 pages]
335 Sheridan, Miss Louisa H.. No more of Love; [Poetry/2 pages]
337 Anonymous. Il Palazzo; [Prose/22 pages]
359 Browne (Gray), Mary Ann. Song, "Oh! For the days that have passed"; [Poetry/1 pages]
360 Swain, Charles. The Flag of England; [Poetry/2 pages]
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
front Almeria; (art.) Parris, E. T.; (eng.) Rolls, Charles
9 The Genie of Wealth; (art.) M'Ian, Mrs.; (eng.) Rolls, Charles
55 The Siege; (art.) Jones, J. E.; (eng.) Davenport, Samuel
121 The Princess of the West; (art.) Middleton, J. G.; (eng.) Rolls, Henry
157 Morning Prayer; (art.) Joy, J. M.; (eng.) Simmons, William H.
195 A Highland Gillie; (art.) Cooper, Abraham, R.; (eng.) Outrim, John
231 Alice Lee; (art.) Nash, Joseph; (eng.) Stocks, Lumb
275 The Parting Wreath; (art.) Adams, Miss L.; (eng.) Periam, G. A.
299 Margate; (art.) Jennings. T.; (eng.) Allen, James B
337 Il Palazzo; (art.) Barrett, George; (eng.) Hinchcliffe, John J.
P P Inscription Plate; (art.) Bell, T.; (eng.) Rolls, Charles
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.