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Miami University makes a claim of copyright only to original contributions
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
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These html pages have been generated from xml pages. You can see the original xml by clicking on the "tei" icon:
The xsl transformers are available on this site as well:
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To use the teihtml.xsl, you will need to download the whole tei-xsl folder. Laura Mandell wrote the transform to make a TEI document into a corpus file (susceptible of being made into individualized Web pages). The transform from a corpus file to individual Web pages came originally from Sebastian Rahtz of Oxford Univ., but it has been much modified (by Laura Mandell).
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
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Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
13 Ewz. The Triumph of Mordecai; [Poetry/4 pages]
17 Stone, William Leete. The White Lynx of the Long Knives; [Prose/31 pages]
48 Michell, Major Nicholas. To the Tempest; [Poetry/1 pages]
49 Leontine. The Reproach at Parting; [Poetry/1 pages]
50 Michell, Major Nicholas. Memory in Solitude; [Poetry/1 pages]
51 Aoidoz. Don Juan and Haidee; [Poetry/3 pages]
54 Housman, R. F.. Retirement; [Poetry/1 pages]
55 MacNish, Robert. A Vision of Robert the Bruce; [Prose/17 pages]
72 Anonymous. Rousseau; [Poetry/1 pages]
73 Mitford, Mary Russell. Old Master Green; [Prose/10 pages]
83 Fwnh. Uncle Toby and the Widow; [Prose/8 pages]
91 Bowring, Dr. John. To Sleep; [Poetry/1 pages]
92 Leontine. On a Wedding Ring; [Poetry/1 pages]
93 Musgrave, T. M.. The White and the Black Veil; [Prose/15 pages]
108 Abdy, Maria. The World of Change; [Prose/2 pages]
110 Moir, David Macbeth (Delta). The Harebell; [Poetry/3 pages]
113 Anonymous. The Old Lieutenant; [Poetry/4 pages]
117 MacNish, Robert. Song, "When the pale moon"; [Poetry/1 pages]
118 Housman, R. F.. A Dream of the Hills; [Poetry/1 pages]
119 Swift, Edmund L.. La Sourde Muette; [Poetry/2 pages]
121 Anonymous. The Beauty Lessoned into Love; [Prose/33 pages]
151 Landon, Letitia Elizabeth (L. E. L.). The Thunder-storm; [Poetry/2 pages]
153 Housman, R. F.. A Woodland Retreat; [Poetry/2 pages]
155 Bird, John. The Gladiator; [Poetry/4 pages]
159 Barker, Matthew Henry (Old Sailor). Frere du Diable; [Prose/17 pages]
176 Bowring, Dr. John. Morning Song; [Poetry/1 pages]
177 Swift, Edmund L.. A Vision of Mercy; [Poetry/2 pages]
179 Abdy, Maria. Song; [Poetry/1 pages]
180 Ewz. The Nun of San Ildefonso; [Poetry/2 pages]
182 Hogg, James (Ettrick Shepherd). Maggie o' Buccleugh; [Poetry/1 pages]
183 Roberts, Emma. Memory; [Poetry/2 pages]
185 Fraser, James Baillie. The Ordeal of Toka; [Prose/34 pages]
219 Hood, Thomas. The Stage-Struck Hero; [Poetry/3 pages]
222 Swain, Charles. The Heart; [Poetry/1 pages]
223 MacNish, Robert. The Tear; [Poetry/3 pages]
226 M. (H.). School Friendships; [Poetry/1 pages]
227 Bowdich (Lee), Mrs.. La Mere des Soldats; [Poetry/2 pages]
239 Ball, William. A Wild Flower Wreath; [Poetry/2 pages]
241 Godwin, Mrs. (Clairmont). The Voice of the Waterfall; [Poetry/1 pages]
242 Swift, Edmund L.. The Witches' Race; [Poetry/3 pages]
245 Harrison, William Henry, (H.). The Frosty Reception; [Prose/8 pages]
253 Housman, R. F.. A Portrait; [Poetry/1 pages]
254 Chorley, Henry F.. Sir Percival's Return; [Poetry/1 pages]
255 Inglis, Henry (Derwent Conway). Sergeant Hawkins; [Prose/15 pages]
270 Moir, David Macbeth (Delta). Christmas Musings; [Poetry/4 pages]
274 Anonymous. The Evening Valley; [Poetry/1 pages]
275 Inglis, Henry (Derwent Conway). Mayence; [Poetry/2 pages]
277 Michell, Major Nicholas. The Mother; [Poetry/1 pages]
278 Housman, R. F.. Glenton; [Poetry/1 pages]
279 Galt, John. Salvator Nienti; [Prose/18 pages]
297 Campbell, Captain R. Calder. Autumn; [Poetry/1 pages]
298 Clare, John. The Deity; [Poetry/1 pages]
299 Hogg, James (Ettrick Shepherd). The Battle of the Boyne; [Poetry/5 pages]
304 Michell, Major Nicholas. Scamander; [Poetry/1 pages]
305 Hofland, Mrs. Barbara. The Disappointment; [Prose/10 pages]
315 Parry, Captain Edward. Epitaph and Elegy; [Poetry/1 pages]
316 Campbell, Captain R. Calder. Scene near Hydrabad; [Poetry/1 pages]
317 Howitt, Mary. A Christmas Visit; [Prose/17 pages]
334 Housman, R. F.. Song, "The nightingale is warbling"; [Poetry/1 pages]
335 Bayley, Thomas Haynes. La Pensee; [Poetry/1 pages]
336 Housman, R. F.. The Mountain Torrent; [Poetry/1 pages]
337 Thomson, Richard. A Secret Adventure in High Life; [Prose/18 pages]
355 P. (E.). The World; [Poetry/2 pages]
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
front Vignette Title; (art.) Corbould, Henry, R.; (eng.) Carter, James
front The Triumph of Mordecai; (art.) Martin, John; (eng.) Finden, Edward
51 Don Juan and Haidee; (art.) Holmes, James; (eng.) Finden, Edward
83 Uncle Toby and the Widow; (art.) Richter, Henry; (eng.) Rolls, Charles
121 Mariana; (art.) Lawrence, Sir Thomas; (eng.) Graves, Robert
151 The Thunder-storm; (art.) Wood, John; (eng.) Finden, Edward
185 Toka; (art.) Purser, William; (eng.) Carter, James
219 The Stage-Struck Hero; (art.) Kidd, W.; (eng.) Engleheart, Timothy
243 The Frosty Reception; (art.) Buss, W.; (eng.) Davenport, Samuel
275 Mayence; (art.) Prout, Samuel, F. S.; (eng.) Carter, James
305 The Disappointment; (art.) Corbould, Henry, R.; (eng.) Davenport, Samuel
335 La Pensee; (art.) Holmes, James; (eng.) Hamilton, Mrs.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.