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Miami University makes a claim of copyright only to original contributions
made by the Poetess Tradition participants and other members of the university
community. Miami University makes no claim of copyright to the original
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Miami University makes a claim of copyright only to original contributions made by the Poetess Tradition participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
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Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
1 Boyle, Mary. Orsina Brandini, a Tale; [Prose/48 pages]
49 James, (George Payne Rainsford). The March of Time; [Poetry/1 pages]
50 Bernal, Ralph. On the Superstition First Love Lasting; [Poetry/1 pages]
51 Marryat, Captain Frederick. Moonshine; [Prose/24 pages]
75 Norton, Mrs. Caroline E. S.. The Favorite Flower; [Poetry/1 pages]
76 Anonymous. The Broken Heart; [Poetry/1 pages]
77 Anonymous. The Unexpected Rencontre; [Prose/19 pages]
96 Rogers, Samuel. Lines written in July 1834; [Poetry/1 pages]
97 Norton, Mrs. Caroline E. S.. Count Rudolph's Heir; [Prose/33 pages]
130 S. (R. M.). The Appointed Hour; [Poetry/3 pages]
133 James, (George Payne Rainsford). The Fisherman of Scarphout; [Prose/24 pages]
157 Lovell, George William. Sir Julian and his Page; [Poetry/2 pages]
159 Chamier, Captain Frederick. A Fire at Sea; [Prose/11 pages]
170 Holland, Lord Henry Richard. Eve's Legend; [Poetry/3 pages]
173 Amos, Isaac Dore. The Bribe; [Poetry/2 pages]
175 Phipps, Charles. Autobiography of a Scottish Terrier; [Prose/38 pages]
213 Anonymous. The Window Tax; [Poetry/1 pages]
214 Anonymous. Imitated from Horace; [Poetry/1 pages]
215 Landon, Letitia Elizabeth (L. E. L.). Fenella's Escape; [Poetry/1 pages]
216 Norton, Mrs. Caroline E. S.. Sonnet, "In the cold change"; [Poetry/1 pages]
217 B. (H. S.). Day Dreams; [Prose/18 pages]
235 Norton, Mrs. Caroline E. S.. The Reprieve; [Poetry/3 pages]
238 Anonymous. Andrew Birch; [Prose/15 pages]
253 Housman, R. F.. The Wakening; [Poetry/1 pages]
254 Norton, Mrs. Caroline E. S.. Fashion's Idol; [Poetry/4 pages]
258 Sheridan, R. B.. The Hindu Girl; [Prose/15 pages]
273 Howard, Edward. The Wreck; [Poetry/2 pages]
275 Moore, Thomas. The Progress of Painting; [Prose/6 pages]
281 Norton, Mrs. Caroline E. S.. A Sonnet, "Where the red wine-cup"; [Poetry/1 pages]
282 Ritchie, Leitch. Narrative of Mr. Johnson's Voyage; [Prose/12 pages]
294 Anonymous. The Song of Liberty; [Poetry/1 pages]
295 Norton, Mrs. Caroline E. S.. Burning Lord's and Common's; [Poetry/2 pages]
297 Anonymous. The Brighton Beauty; [Poetry/2 pages]
299 Norton, Mrs. Caroline E. S.. The Artist's Love; [Poetry/3 pages]
Miami University makes a claim of copyright only to original contributions made by the Poetess Tradition participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
front The Brighton Beauty; (art.) Chalon, A. E., R. A.; (eng.) Thomson, James
front Vignette Title; (art.) Unwins, Thomas, R. A; (eng.) Radclyffe, Edward
10 The Last Look; (art.) Parris, E. T.; (eng.) Edwards, J. C.
41 Camilla; (art.) Bostock, J.; (eng.) Thomson, James
51 The Smuggler's Boat; (art.) Vickers, A. G.; (eng.) Brandard, Robert
75 The Favorite Flower; (art.) Stothard, Thomas, R.; (eng.) Stocks, Lumb
97 Count Rodolph's Heir; (art.) Leslie, C. R., R. A.; (eng.) Chevalier, William
130 The Appointed Hour; (art.) Herbert, J. R.; (eng.) Rolls, Charles
159 A Fire at Sea; (art.) Turner, J. M. W., R.; (eng.) Willmore, James T.
173 The Bribe; (art.) Cattermole, George; (eng.) Goodyear, Joseph
215 Fenella's Escape; (art.) Chalon, A. E., R. A.; (eng.) Edwards, J. C.
229 The Raft; (art.) Vickers, A. G.; (eng.) Cousen, John
235 The Reprieve; (art.) Herbert, J. R.; (eng.) Stocks, Lumb
254 Fashion's Idol; (art.) Bostock, J.; (eng.) Ryall, Henry Thomas
267 The Hindu Girl; (art.) Stephanoff, F. P.; (eng.) Heath, Charles
273 The Wreck; (art.) Turner, J. M. W., R.; (eng.) Griffiths, J. C.
282 Calais Harbour; (art.) Vickers, A. G.; (eng.) Brandard, Robert
295 Destruction of the Houses of Lords and Commons; (art.) Turner, J. M. W., R.; (eng.) Willmore, James T.
299 The Artist's Love; (art.) Stephanoff, F. P.; (eng.) Chevalier, William