Miami University makes a claim of copyright only to original contributions made by the Poetess Tradition participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
front Umpires of the Combat; (art.) Stone, Frank; (eng.) Finden, Edward
front Illustrated Title; (art.) Wood, E. C.; (eng.) Gilks, T
12 The Look-Out; (art.) Chisholme, A.; (eng.) Finden, Edward
33 The Well of St. Keyne; (art.) Wood, E. C.; (eng.) Fisher, Samuel
59 The Coast of Genoa; (art.) R. , J; (eng.) Armytage, James C.
81 The Destroying Angel; (art.) Harlowe, G. H.; (eng.) Fernell, H.
113 The Sacrifice; (art.) Cattermole, George; (eng.) Brain, John
141 Le Glacier des Bois; (art.) R. , J; (eng.) Armytage, James C.
169 The Maiden's Tower, Constantinople; (art.) Manwaring, G.; (eng.) Fisher, Samuel
209 The Landing Place; (art.) Danby, J.; (eng.) Radclyffe, Edward