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Miami University makes a claim of copyright only to original contributions
made by the Poetess Tradition participants and other members of the university
community. Miami University makes no claim of copyright to the original
text. Permission is granted to download, transmit or otherwise reproduce,
distribute or display the contributions to this work claimed by Miami
University for non-profit educational purposes, provided that this header is
included in its entirety. For inquiries about commercial uses, please contact:
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Miami University makes a claim of copyright only to original contributions made by the Poetess Tradition participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
4 Anonymous. Description of Madrid; [Prose/16 pages]
17 Anonymous. Description of St. Sebastian; [Prose/7 pages]
24 Anonymous. Description of Geneva; [Prose/13 pages]
37 Anonymous. Description of Lausanne; [Prose/7 pages]
44 Anonymous. Description of Florence; [Prose/14 pages]
58 Anonymous. Description of Dresden; [Prose/8 pages]
66 Opie, Mrs. Amelia. A New Tale of Temper; [Prose/28 pages]
94 Anonymous. Account of Ascent of Teneriffe; [Prose/16 pages]
110 Davenport, John. Scene "Ali Pacha and the Gardikiotes"; [Prose/6 pages]
116 Anonymous. Scene from "First Affections"; [Prose/10 pages]
126 Anonymous. Account of Festival at Goldsberg; [Prose/4 pages]
130 Anonymous. Literary Competition usefully directed; [Prose/3 pages]
133 Anonymous. Historical sketch of Beards; [Prose/3 pages]
136 Anonymous. Antique inscription; [Prose/1 pages]
137 Anonymous. Pauperism in Europe; [Prose/1 pages]
138 Anonymous. Compendious Weather Guide; [Prose/4 pages]
142 Anonymous. The Year 1824; [Prose/1 pages]
143 Opie, Mrs. Amelia. Hymn to God; [Poetry/1 pages]
144 Do. Elegiac Stanzas; [Poetry/2 pages]
146 Do. Song; [Poetry/1 pages]
147 Do. Song; [Poetry/1 pages]
148 Anonymous. Social and Solitary Enjoyments; [Poetry/1 pages]
149 Anonymous. To the Setting Sun; [Poetry/1 pages]
150 Anonymous. Ballad Stanzas; [Poetry/1 pages]
151 Anonymous. Ballad; [Poetry/1 pages]
152 Anonymous. Battle between Turks and Suliotes; [Poetry/1 pages]
154 Anonymous. Quadrille L'Orage; [Poetry/1 pages]
156 Anonymous. Song, "Eve of Departure"; [Poetry/1 pages]
157 Anonymous. Ruled Pages for Memorandums; [Prose/53 pages]
213 Anonymous. Enigmas, Charades, &c.; [Prose/1 pages]
219 Anonymous. New Hackney-Coach Fares; [Prose/1 pages]
220 Anonymous. Rates of Watermen; [Prose/1 pages]
221 Anonymous. Holidays at the Public Offices; [Prose/1 pages]
222 Anonymous. Transfer days at the Bank; [Prose/1 pages]
Miami University makes a claim of copyright only to original contributions made by the Poetess Tradition participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
front Madrid; (art.) Unidentified; (eng.) Rawle, Samuel
16 St. Sebastian; (art.) Unidentified; (eng.) Unidentified
24 Geneva; (art.) Unidentified; (eng.) Cook, J. W.
36 Lausanne; (art.) Prout, Samuel, F. S.; (eng.) Redaway, James C.
44 Florence; (art.) Unidentified; (eng.) Cook, J. W.
58 Dresden; (art.) Unidentified; (eng.) Cook, J. W.