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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
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These html pages have been generated from xml pages. You can see the original xml by clicking on the "tei" icon:
The xsl transformers are available on this site as well:
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To use the teihtml.xsl, you will need to download the whole tei-xsl folder. Laura Mandell wrote the transform to make a TEI document into a corpus file (susceptible of being made into individualized Web pages). The transform from a corpus file to individual Web pages came originally from Sebastian Rahtz of Oxford Univ., but it has been much modified (by Laura Mandell).
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
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Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
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Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
7 H. (G.). To a Young Friend; [Poetry/3 pages]
10 Gould, Hannah Flagg. The Flowers; [Poetry/1 pages]
11 Ponsonby, Anne Eliza. A Funeral on Windermere; [Poetry/3 pages]
13 Barker, Matthew Henry (Old Sailor). The Hermit of the Rock; [Prose/32 pages]
45 Quillnan, Edward. A Gale, off Ramsgate; [Poetry/2 pages]
47 Mitford, Mary Russell. Woman's Destination; [Poetry/2 pages]
49 Ponsonby, Anne Eliza. Miranda; [Poetry/2 pages]
51 Sigourney, Mrs. L. H.. The Grave of Osceola; [Poetry/2 pages]
53 Gore, Catherine Frances (Mrs. Charles). Uncivil Passage of Civil War; [Prose/30 pages]
83 Gould, Hannah Flagg. The Departed; [Poetry/2 pages]
85 Browne (Gray), Mary Ann. Mary M'Donnell; [Prose/24 pages]
109 Moir, David Macbeth (Delta). Highland Melodies; [Poetry/7 pages]
116 Hollings, J. F.. The Deserted Cemetery; [Poetry/1 pages]
117 Dalton, J. Forbes. The Fair of Bergamo; [Prose/24 pages]
141 Michell, Major Nicholas. The Christian Victim; [Poetry/2 pages]
143 Swain, Charles. An Early Visiter; [Poetry/2 pages]
145 Lowther, Eden. Genifriede, the Flower Girl; [Prose/25 pages]
170 Sigourney, Mrs. L. H.. The Constant Friends; [Poetry/2 pages]
172 Stuart-Wortley, Lady Emmeline. To the Queen; [Poetry/1 pages]
173 Chorley, Henry F.. Aurora's Fan; [Prose/15 pages]
188 Ponsonby, Anne Eliza. Black Mac Torquill; [Poetry/1 pages]
189 S. (S. H.). The Still Small Voice; [Poetry/2 pages]
191 Michell, Mrs.. Mam'selle Rosetta; [Poetry/5 pages]
196 Dalton, J. Forbes. Last Rays of the Setting Sun; [Poetry/3 pages]
199 Dalton, J. Forbes. Trent; [Poetry/3 pages]
202 Campbell, Captain R. Calder. The River runs for all; [Poetry/1 pages]
203 Abdy, Maria. The Almond Tree; [Poetry/2 pages]
205 Anonymous. The Fairy's Shoe; [Prose/15 pages]
220 Chamier, Captain Frederick. On the Death of a Miser; [Poetry/1 pages]
221 Roberts, Miss Mary. Harmonies of Nature; [Poetry/2 pages]
223 Lee, Abbott. Changed but the Same; [Prose/23 pages]
246 B. (E.). The Stromcarl, "Far and Wide"; [Poetry/3 pages]
249 Pardoe, Miss Julia S. H.. The Magyr and the Moslem; [Prose/35 pages]
284 Swain, Charles. The False One; [Poetry/1 pages]
285 Ponsonby, Anne Eliza. Old Calgarth; [Prose/11 pages]
296 Gould, Hannah Flagg. The Lily of the Vale; [Poetry/1 pages]
297 Swain, Charles. The Cousins, Blanche & Bertha; [Poetry/3 pages]
300 Woodley, Rev. George. The Sea at Noon; [Poetry/1 pages]
301 Anonymous. The Victim of Imagination; [Prose/10 pages]
311 Michell, John. The Phantasm; [Poetry/5 pages]
316 B. (E.). The Child's Way to Heaven; [Poetry/3 pages]
319 Anonymous. Original Letters of Eminent Persons; [Prose/4 pages]
319 Original Letters of Eminent Persons. Princess Charlotte to Lady Bury; [Prose/1 pages]
320 Original Letters of Eminent Persons. Mrs. Siddons to Miss F. C. Kemble; [Prose/1 pages]
321 Original Letters of Eminent Persons. Sir Walter Scott to Mr. W. Goodhugh; [Prose/1 pages]
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
Miami University makes a claim of copyright only to original contributions made by the Poetess Archive participants and other members of the university community. Miami University makes no claim of copyright to the original text. Permission is granted to download, transmit or otherwise reproduce, distribute or display the contributions to this work claimed by Miami University for non-profit educational purposes, provided that this header is included in its entirety. For inquiries about commercial uses, please contact:
Images for this volume were provided by the Harris Collection.
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity references.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all colons and hyphens have been typed on the U.S. keyboard; dashes have been rendered as two hyphens.
Special characters (letters with accents, etc.) have been coded according to Unicode rather than as entity references.
Page numbers appear at the beginning of each page, no matter where originally placed.
front Aurora's Fan; (art.) Lange, Janet; (eng.) Mote, William H.
13 The Hermit of the Rock; (art.) Gastineau, H.; (eng.) Godfrey, John
49 Miranda; (art.) Salter, W.; (eng.) Bull, Samuel
85 Mary M'Donnell; (art.) Bott, R. T.; (eng.) Mote, William H.
117 Bergamo; (art.) Cowan, W.; (eng.) Kernot, James H.
145 Genefrede, the Flower Girl; (art.) Madou; (eng.) Carter, James
199 Trent, Tyrol; (art.) Allen, J. B.; (eng.) Allen, James B
223 Changed, but the Same; (art.) Drummond, W.; (eng.) Cochran, John
249 The Magyar and the Moslem; (art.) Roberts, David, R. A; (eng.) Radclyffe, Edward
297 The Cousins; (art.) Bieldfeld; (eng.) Brain, John